Stories

Where do we go next, habibi?
Where do we go next, habibi?
Untitled Encounters
Untitled
Encounters
China's Detention Camps
China's Detention Camps
From a Country Which
From a Country Which
Pankisi
Pankisi
Homeland
Homeland
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Where do we go next, habibi?
Kilis – Izmir – Berlin · 2015 – present
The Guardian, 2019 · Reuters Photojournalism Grant
Mila. Berlin, 2025.
Mila. Berlin, 2025.
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It began in Kilis, at the border of Syria and Turkey, where Ahmed proposed to Hanin. They had both fled Syria in 2014, escaping a war. Their path led them to Izmir, where they married and found work, made friends, yet drawing about a future at peace.

In 2018 they attempted to cross into Greece. Instead, they were deceived by smugglers, arrested, and left without the money. Over time, they managed to reach Greece, where Hanin gave birth to their daughter, Mila. After years of hardship in the Malakasa refugee camp, they eventually made their way to Germany.

Now, when Syria’s regime had fallen, for Ahmed the hope of seeing his parents again returns.

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Untitled Encounters
Georgia, 2018–2020

Villages, mountains, rivers and villages again.
I took random marshrutkas (mini-buses) and met strangers.

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China's Detention Camps
Kazakhstan, 2020
Pulitzer Prize for International Reporting, 2021 (team)
Biennale Architettura, 2023
Architekturmuseum der TUM, 2024

Buzzfeed News investigation
Exhibition — Architekturmuseum der TUM, 2024
Exhibition — Architekturmuseum der TUM, 2024
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Portraits of Gulzira, Nurlan, Baqytali and their families — ones of the many who were detained in internment camps in Xinjiang, China and agreed to tell their stories.

Part of an investigation by Buzzfeed News and Allison Killing Architects using satellite images to identify the infrastructure of detention centres otherwise inaccessible.

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From a Country Which
Russia, 2013–2022

Where homes once stood, they now recruit for war. Where childhood once remained, people report one another.

Every time, we ask how this could happen. Among those most dear, something alien and horrifying has arisen. It pervades everything, monotonous and subtle.

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Homeland
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Pankisi
Pankisi Gorge, Georgia, 2019
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One summer in the Pankisi Gorge. A region on the border with Chechnya, shaped by war, superstition, and protests against the destruction of the land.

Here, women fight for their rights and for the future of the village, carving out independence in a deeply patriarchal community.

Print

Iceland
Archival pigment print · Hahnemühle · 20 × 20 cm · Edition of 4
A Magia
Silver gelatine prints · 12 × 17 cm · Edition of 20 · Portugal · 60 €
Silver Gelatine Prints
12 × 17 cm · Edition of 20
Portugal · Selection of 10 images
60 €
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Full series

I remember nothing
Deconstructed · Coptic stitch binding · 4 silver gelatine prints · Edition of 10
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Film

Winds. Roads.
2015 · 15 min

A 15-kilometre (or 25-minute) underground tunnel runs through Siberia as part of the Baikal-Amur Mainline, connecting Eastern Siberia and the Russian Far East. I’ve heard a million stories about those places from my grandfather, who worked on the tunnel’s construction, and each time the stories took a different turn, with a new detail. But that’s just how he was with his stories.

My grandfather was born in 1932. He didn’t know the exact date. All the boys born in the same week in his village were registered on the same day and given the same surname: the name of the village. His name was Boris. My brother and I always called him Borya, and he would get annoyed when the other grandchildren said ded or, even worse, dedulya: “I am Borya, not some old person.”

In 2015, we went to see the places from his stories. We took a plane, a boat, and a train to reach the village, one of the remaining industrial settlements built for railway workers in 1977, Severomuisk. We were warmly welcomed by people proud of their work and living through the toughest conditions of freezing winters and summer fires.

I showed the film to my grandfather. He hoped to find familiar faces, but he didn’t see them — most of them were already gone. In July 2025, Borya passed away.

* ded means “grandfather” in Russian.

Publications
  • Reuters
  • The Guardian
  • Radio Free Europe
  • Takie Dela
  • OC Media
  • BuzzFeed News
  • Le Monde
  • British Journal of Photography
  • Another Man
  • Die Zeit
  • Artpil
Awards
  • Reuters Photojournalism Grant, 2018
  • 30 Under 30 Women Photographers, 2018
  • Getty Reportage Emerging Talent, 2016
  • Royal Photographic Society Environmental Bursary, 2015
As part of the BuzzFeed News / Allison Killing Architects team
  • Pulitzer Prize for International Reporting, 2021
  • Biennale Architettura, 2023
  • Architekturmuseum der TUM Visual Investigations, 2024
Group Exhibitions & Screenings
  • Mansion de la Photographie, Lille
  • Galerie Claude Samuel, Paris
  • Una y Otra, Bogota
  • Igualada Art, Barcelona
  • Territory//Space, Batumi

Based in Portugal

Languages: Russian · English · Spanish · Portuguese

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