Stories

Where do we go next, habibi?
Where do we go next, habibi?
Untitled Encounters
Untitled
Encounters
China's Detention Camps
China's Detention Camps
From a Country Which
From a Country Which
Pankisi
Pankisi
Homeland
Homeland
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Where do we go next, habibi?
Kilis – Izmir – Berlin · 2015 – present
Mila. Berlin, 2025.
Mila. Berlin, 2025.
1 / 17

It began in Kilis, at the border of Syria and Turkey, where Ahmed asked Hanin to marry him. Both fled Syria in 2014. Their path led to Izmir, where they married and found work, yet drawing about a future at peace.

In 2018, they attempted to cross into Greece. Deceived by smugglers, arrested, left without the money. We met again in Berlin in 2025. Ahmed and Hanin now live there with their daughter Mila.

The Guardian, 2019 · Reuters Photojournalism Grant
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Untitled Encounters
Georgia, 2018–2020

Villages, mountains, rivers and villages again. I took random marshrutkas (mini-buses) and met strangers.

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China's Detention Camps
Kazakhstan, 2020

Portraits of Gulzira, Nurlan, Baqytali and their families — ones of the many who were detained in internment camps in Xinjiang, China and agreed to tell their stories.

Part of an investigation by Buzzfeed News and Allison Killing Architects using satellite images to identify the infrastructure of detention centres otherwise inaccessible.

Pulitzer Prize for International Reporting, 2021 (team)
Biennale Architettura, 2023
Architekturmuseum der TUM, 2024

Buzzfeed News investigation
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From a Country Which
Russia, 2013–2022

Where homes once stood, they now recruit for war. Where childhood once remained, people report one another.

Every time, we ask how this could happen. Among those most dear, something alien and horrifying has arisen. It pervades everything, monotonous and subtle.

1 / 25
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Homeland
Russia

25 black and white analogue images. Street and documentary photography from Russia.

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Pankisi
Pankisi Gorge, Georgia

One summer in the Pankisi Gorge. A region on the border with Chechnya, shaped by war, superstition, and protests against the destruction of the land.

Here, women fight for their rights and for the future of the village. Some build their own livelihoods, opening small businesses and carving out independence in a deeply patriarchal community.

Print

A Magia
Á Magia
Iceland
Iceland
Homeland BW
Homeland
I remember nothing
I remember nothing
The Road
The Road
← Prints
Á Magia
Silver gelatine print
12 × 17 cm
Edition of 20
Portugal
Series of 17 images
60 €
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Full series

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Iceland
Archival pigment print · Hahnemühle · 20 × 20 cm · Edition of 4 · 250 €
Untitled 1
Untitled I
250 €
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Untitled 2
Untitled II
250 €
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Untitled 3
Untitled III
250 €
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Untitled 4
Untitled IV
250 €
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Untitled 5
Untitled V
250 €
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Homeland
Silver gelatine print · Mounted with passepartout · Edition of 5 · 300 €
Homeland 1
11.20
300 €
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Homeland 2
02.21
300 €
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Homeland 3
12.20
300 €
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Homeland 4
01.21
300 €
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Homeland 5
12.09
300 €
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I remember nothing
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Handmade · Coptic stitch binding
4 silver gelatine prints · Edition of 10
Sold out
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The Road
Archival pigment print · Free edition · 150 €
The Road 1
Turkey, 2018
150 €
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The Road 2
Turkey, 2017
150 €
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The Road 3
Turkey, 2017
150 €
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The Road 4
Russia, 2019
150 €
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The Road 5
Spain, 2026
150 €
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Film

Winds. Roads.
2015

A 15-kilometre underground tunnel runs through Siberia as part of the Baikal-Amur Mainline. I’ve heard a million stories about those places from my grandfather, who worked on the tunnel’s construction, and each time the stories took a different turn, with a new detail.

His name was Boris. My brother and I always called him Borya. In 2015, we went to see the places from his stories — Severomuisk, one of the remaining industrial settlements built for railway workers in 1977.

I showed the film to my grandfather. He hoped to find familiar faces, but he didn’t see them — most of them were already gone. In July 2025, Borya passed away.

* ded means “grandfather” in Russian.

Trailer · 2 min

Full film · 15 min

Publications
  • Reuters
  • The Guardian
  • Radio Free Europe
  • Takie Dela
  • OC Media
  • BuzzFeed News
  • Le Monde
  • British Journal of Photography
  • Another Man
  • Die Zeit
  • Artpil
Awards
  • Reuters Photojournalism Grant, 2018
  • 30 Under 30 Women Photographers, 2018
  • Getty Reportage Emerging Talent, 2016
  • Royal Photographic Society Environmental Bursary, 2015
  • Pulitzer Prize for International Reporting, 2021
    photographer on the BuzzFeed News / Allison Killing Architects team
  • Biennale Architettura, 2023
    photographer on the team
  • Architekturmuseum der TUM Visual Investigations, 2024
    photographer on the team
Exhibitions & Screenings
  • Mansion de la Photographie, Lille
  • Galerie Claude Samuel, Paris
  • Una y Otra, Bogota
  • Igualada Art, Barcelona
  • Territory//Space, Batumi
Based

Portugal

Languages

Russian · English · Spanish · Portuguese

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